This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping
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Ballard, who also worked on Hulu’s Candy and Peacock’s A Friend of the Family, noticed immediately that Do Revenge’s cast members were some of her most valuable influences. To map out the visual arc of Eleanor, who transforms into an It girl to exact their revenge, Ballard made time to listen to Hawke’s ideas. “As I sat and chatted with Maya, the references that came up were actually her mom, Uma Thurman, and Taylor Swift,” says Ballard of what became “the most interesting part” of designing each character’s style. Hawke, who was filming Stranger Things in tandem, wore wigs throughout the movie. A long brunette version that matched her natural hair color during her “awkward” phase in the beginning, and a bright blonde that Ballard notes represents her “coming into her power.” Hawke and Ballard referenced the iconic Pulp Fiction bob that Thurman wore for the latter, but this time in a Swift-level shade of blonde designed by wig artist Robert Miller-Navarre. As a “love letter” to her favorite accessories brand, Ballard crowned Hawke in Lelet’s Scales headband for Eleanor’s transformation. “The scene where you see that switch, she’s sitting in the bathtub, and her hair is slicked back and she’s wearing red lipstick, she’s got a glass of Champagne, and that was a transitional moment for her, and after that, her look becomes a bit more edgy, maybe a little bit more rock and roll,” Ballard explains.
Aside from the queen of Cruel Intentions, Sarah Michelle Gellar, who plays the schoolmistress, every cast member was younger than Ballard—and deep in the Y2K revival that has overtaken style codes in 2022. “They were all coming in asking for looks that were things that I did to my own hair in the ’90s,” Ballard says. Mendes, in particular, had her own onscreen visions. “For Drea, I came in with the original ’90s icons in my mind—Gwen Stefani, Drew Barrymore, Julia Stiles, Cameron Diaz, Alicia Silverstone,” says Ballard, who notes that Mendes is a style icon in her own life today, and brought in references that are influencing her style at the moment, like Dua Lipa, Ariana Grande, and Bella Hadid. For Drea’s character arc, soft styles like pigtails and tendrils slowly become more “snatched” as her nerves wind tighter throughout the plot. “It’s not a word that I used a lot until this film, but it’s basically just not a hair out of place,” says Ballard, who used Reverie Milk Anti-Frizz Leave-In Nourishing Treatment for sleek buns and polished texture to mirror the energy. “If you picture a really slick, high 40-inch pony, that’s the epitome of the ‘snatched’ look.”
“An elevated Miami fantasy” is how hairstylist Katie Ballard describes the aesthetic she created with the help of Maya Hawke and Camila Mendes for Netflix’s Do Revenge. In the dark comedy, Hawke plays Eleanor, a wealthy outcast who comes together with Mendes’s character, Drea, an insider experiencing a fall from social grace, all at the expense of their prep school enemies. Directed by Jennifer Kaytin Robinson, Do Revenge reimagines the familiar thrill of a plot-driven makeover scene. “That was essentially what Jenn was going for—it’s set in modern day, but she wanted to re-create that ’90s teen film,” says Ballard, noting that 10 Things I Hate About You and Clueless were name-checked as references in the hair and makeup trailer and beyond.
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