This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping
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After college, Feldstein was cast in Greta Gerwig’s directorial debut, Lady Bird, in which she plays the scene-stealing sidekick to Saoirse Ronan. “That always feels like the first marker in my career,” she says, “I was like, ‘If I were to create my dream story, this is it.’” Lady Bird led directly to Hello, Dolly! Feldstein’s Broadway debut at 23 alongside Bette Midler. “No one works harder than Bette,” says Feldstein. “We all owe so much to her, and she owes so much to Fanny Brice. It’s this lineage of powerful Jewish funny women.” That production, says Feldstein, marked “the end of one version of myself and, unfortunately, the beginning of another.” Feldstein’s eldest brother, Jordan, a music manager, died unexpectedly of a pulmonary embolism in December 2017.
Given the parallels between her and Fanny, I ask Feldstein what the Funny Girl–esque depiction of her own life would look like. She lights up at the assignment: “I think it would have to feature a young Bean because my younger self was so unapologetic and deliciously herself…. I was like, ‘Here comes the Bean, watch out.’ I came out with jazz hands.” The youngest of three children, Feldstein was raised in a showbiz-adjacent family in the leafy Cheviot Hills neighborhood of Los Angeles by her costume-designer mother, Sharon, and her father, Richard, an entertainment business manager and onetime tour accountant for Guns N’ Roses. Despite Beanie’s precocious talent—a community theater director compared her voice to Ethel Merman’s—her parents encouraged her to pursue her love of school rather than take on film and television auditions, which they felt could become years long commitments. “My parents set a boundary. ‘If it’s theater, you’re allowed to audition for it, but if it’s film or television, that could change the course of your life,’” she says. Feldstein describes her time at Wesleyan, where she was a tour guide and wrote her sociology thesis on child actors, as “profound.”
Hello, Dolly! was followed by Booksmart, Feldstein’s first starring role. “What I didn’t know, until I witnessed it on set, was how generous of a performer she is,” says Wilde. “It was at a time when she had experienced incredible loss in her personal life, yet her energy was of a constant outpouring of warmth and love.” The week Booksmart hit theaters, Feldstein got the call that she had been cast as Monica Lewinsky in Ryan Murphy’s anthology series Impeachment: American Crime Story, which aired last fall. “I gave two and a half years of my life to Monica, and being a part of telling that story had a monumental impact on me as a person and as an actor,” says Feldstein, who had a robust, though mostly virtual relationship with Lewinsky, a producer on the series. “It still makes me emotional,” admits Feldstein.
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