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It’s not that the show is about Surrealism. That’s one of the themes. But early on, when she would mix fragments of torso and fragments of portraits of Black women with fragments of architecture celebrating the metaphorical reading of architecture as a loophole of retreat, as she would say—that was a very foundational part of her practice. That’s why I wanted to include Brick House, because it’s the most symbolic sculpture of that series. Although it’s not here yet, so I don’t know if it’s going to be included. [Laughs.]
I think it’s a journey through the transformation…not only of people but also animals and nonhuman forms. Maybe this is a misstatement, but two years of isolation made artists look very much inward—processing the trauma of the pandemic and the social traumas or whatever the thing was that was happening, especially in America, because that’s what we had. We had ourselves, the screen, and Zoom. So I think the most politically engaged practices have had a more introspective turn, which I think is very similar to what Surrealism did—it wasn’t a way of turning their back to reality. It was just a way of looking at reality through a different lens. That’s exactly what’s happening right now with many artists’ practices.
Oh, so many. “The Comfort of Strangers” from Ian McEwan’s book was a show I did at PS1. And “The Magical World” was my Italian Pavilion. It was also from a book. And “The Musical Brain” from a César Aira novel. Literature has an important role in the exhibition. The show doesn’t only feature visual artworks but also some writers like Julian Barnes or Mina Loy or Gisèle Prassinos, so I also wanted to pay homage to that tradition—especially in the historical capsules, because visual artists and writers and poets were so intertwined, so much part of the artistic life of these movements, I think much more than now. I feel like there’s a bit of disconnect between visual art and literature now, but maybe it’s me not knowing enough.
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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