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Carey Mulligan and Emerald Fennell have worked in the film industry for long enough to know what needs to change. The former, an Oscar-nominated actor who came of age as the effervescent Kitty Bennet in Pride & Prejudice (2005), went on to star in An Education (2009), Shame (2011), The Great Gatsby (2013), Mudbound (2017) and, most recently, The Dig (2021). Meanwhile, the latter established herself as a multi-hyphenate, playing the deliciously divisive Camilla Parker Bowles in two seasons of The Crown (2016 to present) and serving as the showrunner for the second installment of Killing Eve (2018 to present), which earned her two Emmy nominations.It also paved the way for her feature directorial debut: Promising Young Woman, a candy-colored revenge thriller, which skewers toxic masculinity and sees the pair hold society to account. It casts Mulligan as Cassie, a medical-school dropout who is haunted by the assault and death of a friend. Her coping mechanism involves going to bars, feigning drunkenness, and waiting for opportunistic men to take her home. However, when they try to take advantage of her, she gets even.
What I’m trying to trace in these films is the rise of that dream: that instead of an overarching narrative given to you by a dictator or a communist theory, you could have millions of people expressing themselves and living their own stories. That started off as a noble utopian idea in the late 1950s and 1960s. But by the time you get to our current age, what you have is millions of individuals anxious, uncertain, and frightened of the future and definitely feeling rather disempowered. I wanted to trace why that happened because if you do want to change the world, you’ve got to recognize what that era of individualism did. It was a glorious, wonderful moment—especially the ’90s; I still don’t think we’ve really understood the ’90s yet, which was an absolutely fascinating period. What I also wanted to say at the end of my films, and I think I said it clearly enough—is that you’re never going to put individualism back in a box; it’s a thing, and it’s a thing in China, Russia, wherever you go. But the politics of the future will be someone or something that finds a way of allowing us to still feel we are individuals and express ourselves as individuals, yet at the same time, without giving that up, feel that we’re part of something that is strong and powerful and can change the world and will go on beyond our own existence.
I’m obsessed with music. And I worked out quite early on that if you’re trying to do that thing of pulling back to make people look at things again, one of the key elements of that is to create the mood that will enable them to do that—not just the stories or the facts. And the way to do that is by not being literal. The real problem with a lot of television journalism, to be brutal, is that the people who make it are not very interested in music—I’ve noticed this. And they leave it to the assistant editors to put some music on at the end, which is why the result is just really boring and predictable—putting “Money” by Pink Floyd over shots of banks.Also, my father’s generation grew up talking about politics to each other, and they knew if they liked each other by the political discourse they had with each other. I grew up talking to my friends about music and film, and I knew whether I liked them and they knew whether they liked me by the sort of references. I simply brought that into journalism.
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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