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There are, of course, trends. Part of it is certainly the amazing work that has been done by lots of museums and institutions, looking at Surrealism not necessarily through the classical lens of the European male side of Surrealism but with women in Surrealism. You think about the show “Fantastic Women” at the Louisiana Museum, such an important, groundbreaking exhibition. But also the show at The Met with international Surrealism, looking at the effect of Surrealism in North Africa and the Caribbean and America. There is a desire to reread and revisit such an important movement through a slightly different approach that is not just the Western one. If you think about it, we are maybe living in a very similar time. Surrealism was born out of the dust of the First World War. It was a very politically engaged movement, like now with what’s happening in Ukraine. But also if you think of the last six, seven years with Trump or the many conservative and reactionary governments that are popping up everywhere, I think it’s likely a very similar time. So maybe artists are using similar methodologies to respond to this time.
Maybe. If you think of someone like Toyen and Claude Cahun, they were amazing artists who experimented with genderlessness or the cancellation of boundaries between female and male. So it was already a strong preoccupation. But also in general, if you look at the work of somebody like Leonor Fini or Leonora Carrington, the way they picked identity, it’s very, very, very contemporary. That happened 100 years ago, and it’s still extremely contemporary. So maybe it’s still not resolved, and that’s why we’re still talking about it.
I started thinking very much about the idea of metamorphosis and transformation. It was a much smaller context. And when the pandemic started and the show got postponed, I tried to enrich the show with a bit more texture, expanding thinking about how our bodies change with technology and in comparison with the planet and climate change and so forth. This is very much the result of conversations and what I’ve seen via Zoom. Lots of artists were talking about that. Metamorphosis has been with us and with artists for millennia. It felt very resonant already before the pandemic because of issues of gender and race and identity. Then all of a sudden, it became so incredibly timely with the pandemic. So it felt like it got intertwined with what was happening in the world.
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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