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But by early May, the production team had figured out how to shoot according to COVID safety rules. Emily will fly over to New York as soon as the limit allows. Within a few weeks, the property began to bustle with activity. Emily and her family needed somewhere to live (no hotels were open), so we moved them into Swangrove House, a beautiful, early 18th-century abandoned house built by The second Duke of Beaufort as a Maison de Plaisance for his mistress. Its magic was not lost on Emily’s Russian assistant, who, upon arrival, announced that she could sense sexual energy. Between site surveys and pre-production Zoom meetings, Emily joined me for dog walks and to our walled garden, where we would pick sweet peas and discuss scripts.
The Pursuit of Love is a comic (mainly) that follows the romantic life of Linda Radlett (played by Lily James), as seen through the eyes of her cousin Fanny Logan (Emily Beecham). It was first published in 1945 and was an instant bestseller; Nancy Mitford’s biographer Harold Acton described it as a “dark scattering rocket” for a war-weary world. But can our pandemic-ravaged world relate to Mitford’s sparkling yet emotionless lightness? Whether the obsessed and willed Linda, Bolter (Fanny’s mother, played by Emily) – who abandons her children and several husbands – and xenophobic uncle Matthew (Dominic West) seem alien or even offensive? No, we’d agree, if the script only used Nancy, who is sometimes branded as lazy of the snobby elite but is in fact cruelly witty, brave, careless, and not quite at all. get out of the dark.
In January 2020, on a drizzly morning so familiar to those of us who endure a gray winter in the West of England, I received an amusing text from my friend Emily My Mortimer. Her TV adaptation of The Pursuit of Love, Nancy Mitford’s novel about an English aristocratic family in the 1920s and 30s, got the green light. Filming is scheduled to begin in the spring. Emily will be directing and starring in the series, and she asked if we considered our home, the Badminton House, a suitable location to produce some movies. Then, of course, the pandemic struck, and all the plans went up in smoke. March and April passed May without any of the usual events that enliven the house and the estate. I’m starting to wonder if this whole place will ever come to life again. Like Nancy Mitford’s bored young protagonist, Linda Radlett, we are enveloped in the present, a life of seclusion and no future.
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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