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Truly great international dramas can still feel like needles in the Netflix haystack—I loved Borgen’s fourth season, ditto the Swedish show Snabba Cash, which is returning for a second season soon—but now you can sink into Delhi Crime’s second season, which I devoured over the past couple of days and is as good as any crime series I’ve seen this year. As with the first season, the draw here is moody, anxious realism: Creator Richie Mehta and director Tanuj Chopra depict Delhi as a packed, edgy metropolis teetering on the brink of disorder. There’s constant traffic (a theme from Season 1), dramatic divisions in wealth, and a stretched police force struggling to cope with it all. There’s also a good amount of raw violence in this show, and no lack of harsh language, but Delhi Crime doesn’t feel lurid or exploitative. Mehta and Chopra, who based this new season on writings by a former Delhi police commissioner, seem intent on even-handedly probing the strains of explosive growth, of a megacity bursting at its own seams.
They also know how to tell a story. Delhi Crime is fast-paced, well shot, and suspenseful as hell. In the first episode, we watch a horrific home invasion in a wealthy Delhi subdivision in which the perpetrators are masked and implacable as they pass under CCTV cameras. DCP Vartika is called in to find the criminals, and the actress Shefali Shah (tremendous in the role) seizes your attention. She’s intensely serious; fearsome to her subordinates, who call her “Madam Sir”; and clearly burdened by her job. She has to keep the news of the home-invasion murders from leaking to the press (which immediately happens anyway) and drive her team to find the perpetrators before they strike again (which they soon do).
The procedural beats are familiar: there is a corrupt detective, a red herring plotline involving denotified tribe communities—an underclass in Delhi—and bureaucratic pressure from the top to wrap things up neatly (if unjustly). But the characters and details keep you invested. I especially love the small grace notes, keenly observed, like the fact that suspects are detained and held by hand in Delhi—not much use of handcuffs apparently—which leads to suspects escaping custody. And Vartika’s subordinates are appealingly human, with personal backstories that get gentle play, exuding a formal dignity that makes you root for them. Netflix isn’t touting this series here in the U.S.—not with big-budget shows like Sandman to push—but it should be. It’s one of the best shows on the platform and deserves a wide audience. If you’re a fan of international crime, dive in.
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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